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Blood moon village artwork
Blood moon village artwork






blood moon village artwork

This painting features a stylized rendition of a black policeman, with asymmetrical proportions and threatening features, including sharp teeth and talons. Wider critiques about the complicity of the art market with unfettered capitalism, corporations and international art dealers led to several schisms between and condemnations of artists within the original movement. Like many artistic movements, one of the most complicated aspects of the legacy of the movement has been the commercial success of several of its artists.This is sometimes at odds with the bright, accessible and engaging style of many artist's work, but this juxtaposition has proved to be an effective and enduring factor in their later success. Many East Village artists were or felt themselves to be marginalized by society, and there is a powerful undercurrent of social critique throughout much of the most significant work of the movement.

#Blood moon village artwork series#

This included a series of independent galleries, curators, and publications that emerged to support and document the scene, operating on their own terms and without recourse to established wisdom or tradition. East Village Art rejected the established art market and institutions of its day, preferring to establish its own infrastructure in a then-unloved and overlooked area of the city.Images were cut and pasted together, referencing cartoons, advertisements and urban iconography, rendered in bold and clashing color schemes that was uniquely grounded in the spirit of the era. The collage aesthetic of punk and post-punk, the cultural vocabulary of hip-hop and the cheap materials and gestural expression of graffiti all exerted significant influence on the art of the movement.








Blood moon village artwork